Form language and style description
Identifieur interne : 000F39 ( Main/Exploration ); précédent : 000F38; suivant : 000F40Form language and style description
Auteurs : Kuohsiang Chen [République populaire de Chine] ; Charles L. Owen [États-Unis]Source :
- Design Studies [ 0142-694X ] ; 1997.
English descriptors
- Teeft :
- Absolute distance, Adjective, Adjective pairs, American library, Artifact, Attribute, Basic substance, Bauhaus, Bauhaus style, Bipolar adjective pairs, Braun, Braun products, Cambridge symposium cambridge university press, Center press, Centric value, Chemical phase, Colour, Colour treatments, Confidence factor, Confidence factor importance index, Confidence factors, Critical inquiry, Design facts, Design studies, Design thesis, Detail treatments, Different levels, Dondis, Dynamic modeling, Elsevier science, Entire style space, Especial reference, Form elements, Form language, Form vocabulary, Formal elements, Formal style, Formal style knowledge, Formal styles, Fragmentary self, Functionalist style, German style, Glossy, Goodman, Goodman ways, Graphic communication john wiley, Gudel aesthetics today, Harmonious, Human behaviour, Illinois institute, Image distance, Importance index, Importance indices, Impure, Individual characteristics, Industrial design, Internal structure, Internal structures, Japan bijutsu tokyo japan, July, Krups, Linguistic evaluation method, Linguistic research, Literary historians, Major groupings, Maximum deviation, Memphis style, Memphis styles, Minimalist style, Multiform, Multiple characteristics, Parent class, Pennsylvania press, Polar adjective pairs, Polar adjectives, Primer, Product design, Prose composition, Referential, Referential distance, Referential distances, Relationships detail treatments materials color treatments figure, Relationships detail treatments materials color treatments textures figure, Same assumption, Similar style, Similar styles, Single style, Specific style, Strong contrast, Style, Style barnes, Style class, Style description, Style description framework, Style description language, Style hierarchy, Style oxford university press, Style profile, Style profile textures, Style profiles, Style space, Style university, Stylistic, Stylistic attributes, Stylistic elements, Stylistic features, Subclass, Subject matter, Target markets, Terms thames, Textural, Textural patterns, Translations burt franklin, Uniform multiform, Value confidence factor importance index, Value form elements, Various fields, Visual elements, Visual literacy, Visual style, Visual styles, Weighting mechanisms, Woddmaking hackett publishing company.
Abstract
This paper presents a ‘style description framework’ for the analysis of style as it is exhibited by objects, artifacts and, particularly, products. The framework equips a designer with both the ability to analyse existing styles and to describe new styles for target markets. A ‘style profile’ consists of a set of polar adjective scales and associated weighting mechanisms. Within the profile, stylistic attributes — in the form of values given on the scales — are grouped into six categories: form elements, joining relationships, detail treatments, materials, colour treatments and textures. Two weighting mechanisms, an importance index and confidence factor, fine-tune the description. The style profile can be used not only to communicate styles between designers and computers, but also to accumulate formal style knowledge.
Url:
DOI: 10.1016/S0142-694X(97)00002-1
Affiliations:
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Owen</name><affiliation wicri:level="1"><country xml:lang="fr">États-Unis</country><wicri:regionArea>Institute of Design, Illinois Institute of Technology, 10 West 35th Street, Chicago, IL 60616</wicri:regionArea><wicri:noRegion>IL 60616</wicri:noRegion></affiliation></author></analytic><monogr></monogr><series><title level="j">Design Studies</title><title level="j" type="abbrev">JDST</title><idno type="ISSN">0142-694X</idno><imprint><publisher>ELSEVIER</publisher><date type="published" when="1997">1997</date><biblScope unit="volume">18</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="249">249</biblScope><biblScope unit="page" to="274">274</biblScope></imprint><idno type="ISSN">0142-694X</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0142-694X</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Absolute distance</term><term>Adjective</term><term>Adjective pairs</term><term>American library</term><term>Artifact</term><term>Attribute</term><term>Basic substance</term><term>Bauhaus</term><term>Bauhaus style</term><term>Bipolar adjective pairs</term><term>Braun</term><term>Braun products</term><term>Cambridge symposium cambridge university press</term><term>Center press</term><term>Centric value</term><term>Chemical phase</term><term>Colour</term><term>Colour treatments</term><term>Confidence factor</term><term>Confidence factor importance index</term><term>Confidence factors</term><term>Critical inquiry</term><term>Design facts</term><term>Design studies</term><term>Design thesis</term><term>Detail treatments</term><term>Different levels</term><term>Dondis</term><term>Dynamic modeling</term><term>Elsevier science</term><term>Entire style space</term><term>Especial reference</term><term>Form elements</term><term>Form language</term><term>Form vocabulary</term><term>Formal elements</term><term>Formal style</term><term>Formal style knowledge</term><term>Formal styles</term><term>Fragmentary self</term><term>Functionalist style</term><term>German style</term><term>Glossy</term><term>Goodman</term><term>Goodman ways</term><term>Graphic communication john wiley</term><term>Gudel aesthetics today</term><term>Harmonious</term><term>Human behaviour</term><term>Illinois institute</term><term>Image distance</term><term>Importance index</term><term>Importance indices</term><term>Impure</term><term>Individual characteristics</term><term>Industrial design</term><term>Internal structure</term><term>Internal structures</term><term>Japan bijutsu tokyo japan</term><term>July</term><term>Krups</term><term>Linguistic evaluation method</term><term>Linguistic research</term><term>Literary historians</term><term>Major groupings</term><term>Maximum deviation</term><term>Memphis style</term><term>Memphis styles</term><term>Minimalist style</term><term>Multiform</term><term>Multiple characteristics</term><term>Parent class</term><term>Pennsylvania press</term><term>Polar adjective pairs</term><term>Polar adjectives</term><term>Primer</term><term>Product design</term><term>Prose composition</term><term>Referential</term><term>Referential distance</term><term>Referential distances</term><term>Relationships detail treatments materials color treatments figure</term><term>Relationships detail treatments materials color treatments textures figure</term><term>Same assumption</term><term>Similar style</term><term>Similar styles</term><term>Single style</term><term>Specific style</term><term>Strong contrast</term><term>Style</term><term>Style barnes</term><term>Style class</term><term>Style description</term><term>Style description framework</term><term>Style description language</term><term>Style hierarchy</term><term>Style oxford university press</term><term>Style profile</term><term>Style profile textures</term><term>Style profiles</term><term>Style space</term><term>Style university</term><term>Stylistic</term><term>Stylistic attributes</term><term>Stylistic elements</term><term>Stylistic features</term><term>Subclass</term><term>Subject matter</term><term>Target markets</term><term>Terms thames</term><term>Textural</term><term>Textural patterns</term><term>Translations burt franklin</term><term>Uniform multiform</term><term>Value confidence factor importance index</term><term>Value form elements</term><term>Various fields</term><term>Visual elements</term><term>Visual literacy</term><term>Visual style</term><term>Visual styles</term><term>Weighting mechanisms</term><term>Woddmaking hackett publishing company</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">This paper presents a ‘style description framework’ for the analysis of style as it is exhibited by objects, artifacts and, particularly, products. The framework equips a designer with both the ability to analyse existing styles and to describe new styles for target markets. A ‘style profile’ consists of a set of polar adjective scales and associated weighting mechanisms. Within the profile, stylistic attributes — in the form of values given on the scales — are grouped into six categories: form elements, joining relationships, detail treatments, materials, colour treatments and textures. Two weighting mechanisms, an importance index and confidence factor, fine-tune the description. The style profile can be used not only to communicate styles between designers and computers, but also to accumulate formal style knowledge.</div></front></TEI><affiliations><list><country><li>République populaire de Chine</li><li>États-Unis</li></country></list><tree><country name="République populaire de Chine"><noRegion><name sortKey="Chen, Kuohsiang" sort="Chen, Kuohsiang" uniqKey="Chen K" first="Kuohsiang" last="Chen">Kuohsiang Chen</name></noRegion></country><country name="États-Unis"><noRegion><name sortKey="Owen, Charles L" sort="Owen, Charles L" uniqKey="Owen C" first="Charles L." last="Owen">Charles L. Owen</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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